Reese Witherspoon had ‘hard time’ picking dress for Golden Globes

Reese Witherspoon had a “hard time” choosing a dress to wear to the 2020 Golden Globes.The Legally Blonde actress recently shared a behind-the-scenes look at her preparing for the annual ceremony in an Instagram video, with the clip showing her kicking…

Reese Witherspoon had a “hard time” choosing a dress to wear to the 2020 Golden Globes.

The Legally Blonde actress recently shared a behind-the-scenes look at her preparing for the annual ceremony in an Instagram video, with the clip showing her kicking off her busy day with an early morning yoga session to help clear her mind and de-stress.

Reese, who was up for Best Actress in a Drama Series for her role as Bradley Jackson in The Morning Show but lost out to Olivia Colman, then headed to her dress fitting with stylist Petra Flannery.

The mother-of-three seemed overwhelmed by the huge choice of show-stopping outfits on display and told the camera that it was her favourite part, as she got to pick “from the most talented designers”.

Trying on the white crepe one-shoulder asymmetric Roland Mouret gown first, which she eventually wore, Reese is then seen posing in a variety of different dresses, including a black version of the white crepe number.

She’s also filmed wearing a purple feathered number, a black suit with an embellished tuxedo jacket, and a chic knee-length ’50s-style black one-shouldered gown.

Reese proceeds to take viewers through her hair and make-up session in a suite at the Waldorf Astoria Beverly Hills hotel, and confessed that she had a difficult choice to make as she fell in love with two gowns at her fitting.

“I had a really hard time deciding between two dresses. So, this is it. I hope I made the right choice. I’m making a really brave decision here at the Golden Globes to wear white,” the 43-year-old joked of the Mouret gown, before sharing her fear that her pristine outfit would get covered in make-up when she’s hugging other stars. “I’m so scared. I never wear white!”

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Renee Zellweger wows in baby blue gown at 2020 Golden Globes

Renee Zellweger stood out from the crowd in a baby blue gown at the 2020 Golden Globes on Sunday night.The actress collected the prize for Best Performance by an Actress in a Motion Picture – Drama for her portrayal of Judy Garland in Rupert Goold’s fi…

Renee Zellweger stood out from the crowd in a baby blue gown at the 2020 Golden Globes on Sunday night.

The actress collected the prize for Best Performance by an Actress in a Motion Picture – Drama for her portrayal of Judy Garland in Rupert Goold’s film Judy at the awards ceremony held at The Beverly Hilton hotel in Los Angeles.

Renee made a rare red carpet appearance for the event and certainly turned heads in a strapless dress with crystal detailing on the bodice custom-made for her by the designers at Armani Prive. The 50-year-old’s ensemble was put together by Petra Flannery, with the stylist completing the look with shoes from Jimmy Choo and David Webb jewellery.

“Armani exemplifies Hollywood glamour, yet always adopts a modern approach to dressing,” Flannery told British Vogue of working with the team at the Italian fashion house. “The shapes are often sleek and statuesque. This dress in particular exudes these qualities with its column silhouette and half-moon curvature at the top. The polished and graceful details mirror Renee’s style.”

Among the other celebrities to wear blue on the night was Glenn Close, who sported a navy velvet outfit from Armani Prive along with Cartier earrings, Shailene Woodley, who wore a blue and black sequin Balmain gown, and Sacha Baron Cohen, who donned an electric blue Dolce & Gabbana tuxedo.

Meanwhile, the other major fashion trend for the bash was red outfits. Nicole Kidman wowed in a strapless crimson Atelier Versace gown, Scarlett Johansson chose a bright red dress with plunging neckline from Vera Wang, Olivia Coleman wore a red dress with dramatic sleeves from Emilia Wickstead, and Lauren Graham donned a fiery one-shoulder look from Azzi & Osta.

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Duo behind Lady Gaga’s recent outfits top power stylist list

Lady Gaga’s stylists Tom Eerebout and Sandra Amador have landed the top spot on The Hollywood Reporter’s 25 Most Powerful Stylists list for 2019.The duo was behind Gaga’s showstopping looks for the press tour of A Star is Born, and then all through awa…

Lady Gaga’s stylists Tom Eerebout and Sandra Amador have landed the top spot on The Hollywood Reporter’s 25 Most Powerful Stylists list for 2019.

The duo was behind Gaga’s showstopping looks for the press tour of A Star is Born, and then all through awards season, which saw her pick up an Oscar, Golden Globe, and BAFTA for the film’s song Shallow, and an acting gong at the Critics’ Choice Awards.

Crowning the pink feathered Valentino haute couture dress Gaga wore to the Venice Film Festival as the last year’s top style moment, Sandra recalled: “It was the first premiere, so all the elements – the grandeur of Venice, the thunderstorm, the introduction of Lady Gaga and this campaign – were cinematic.”

Tom and Sandra are now gearing up to dress the singer/actress for the Met Gala in May.

The second-place spot went to Ilaria Urbinati, who has won praise for her work with Rami Malek, Armie Hammer, Bradley Cooper, Donald Glover, John Krasinski, Chris Evans, and Dwayne Johnson.

Talking about the recent awards season, which saw Rami go home with a clutch of Best Actor gongs, including the Academy Award, Ilaria said it can be a tough task avoiding repetition.

“You get to a point (where) you’re literally running out of clothes,” she shared. “We ended up doing a lot of custom looks.”

Gemma Chan’s stylist Rebecca Corbin-Murray came in bronze. Rebecca also dresses Lily James, but it’s her work with Crazy Rich Asians star Gemma that has propelled her into the spotlight.

Elizabeth Stewart, who works with Julia Roberts, Cate Blanchett, Sandra Bullock, Viola Davis, Gal Gadot, and Jessica Chastain, came in fourth, while Petra Flannery, the go-to stylist for Emma Stone, Amy Adams, and Emilia Clarke, rounded out the top five.

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